Elicitations features extracts from three poignant works by British/Australian choreographer Briar Adams. The cool and flawless dancers evoke the precarious boundaries between belonging and escape, in an eruption of emotionally charged and gracefully articulated contemporary ballet. Created for Norte Maar's CounterPointe Platform, To the Edge is a serene exploration of the continuous formation and reformation of belonging. Argil's fast-paced, angular fluidity rises and falls in a fierce feminine manifesto. Grace, inspired by Gorecki's Symphony of Sorrowful Songs, reverberates with tension as curiosity and love struggle for air in an atmosphere choked by loss and grief.
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