A romp through theatrical devices misses more than hits
This article is from 2016.
Malcostume Compagnia Teatrale's revolutionary Flavio (Gian Marco Pellecchia) has taken over a banal television show with his bizarre homage to Commedia dell'Arte.
He is an enthusiastic clown, endearingly introducing contrived love affairs, ridiculous conceits with pop lyrics, and the redoubtable, boorish Pantalone, who pops up on screen during moments of high drama screaming about his 'secondary character status', and starts to take over the narrative in a way that benefits nothing but his own ego, as glitches fizz and crackle on the screen.
Unfortunately, the technology is consistently working against him in this production. It's hard to focus on the subtitles right at the top of the stage – which more often than not arrive a little too late – as well as his own actions, alongside the additional characters at either side of the stage, whose tinny sound blasts are a real distraction. The storyline may get rather lost, but there are some great ideas, such as the endless theatre in-jokes and inversion of familiar tropes. Gian Marco Pellecchia is a consistently charming presence, but the show never becomes coherent. A shame, as there is a lot of raw potential here.
ZOO, until 29 Aug (not 28), 12.45pm.