A Common Man: The Bridge That Tom Built
Dominic Allen's portrait of a revolutionary is a triumph
This article is from 2016.
As the foreshocks of the impending US election begin to ripple across the globe, the Flanagan Collective and Belt Up alum Dominic Allen's Fringe collaboration could hardly be more timely.
Revisiting the values of liberty, freedom, and secularism on which the United States was founded, A Common Man: The Bridge That Tom Built is the story of a man from Norfolk who cut himself adrift from his home to help found a new one for others by disseminating the Enlightenment principles that went on to form the basis of modern-day liberal democracy.
The stage is sparingly furnished: an upturned bucket serves as a pedestal for Thomas Paine's revolutionary rabble-rousing, while a wooden desk, strewn with papers that become increasingly disordered, serves as the workshop for his 'dangerous ideas'. Director Joe Hufton presides over the stage with an expert hand.
A slight set adjustment, coupled with a well-wrought line, seamlessly transforms the space from a bloody battlefield to a dank French prison to a cosy study, in which Tom wields his best purple quill, penning the pamphlets whose words inspired the dispossessed citizens of the embryonic United States and catalysed a revolution that transformed the landscape of the world.
Dominic Allen gives a sterling performance as the eponymous Tom. His Paine is a preternaturally engaging speaker, alive with righteous fervour and a contagious passion for social justice, whose stories brim with magnetic physicality and a sparkling rhetorical flair. Allen's prodigious talents are on full display throughout, as he channels revolutionary zeal and contemplative emotion with equal finesse.
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