Action to the Word's gothic musical Edinburgh Festival Fringe production is like Twilight meets Glee
This article is from 2014.
Before we start laying into Action To The Word’s gothic musical adaptation, let it be known: there were just as many audience members offering standing ovations as there were sneaking out mid-show. To find out which side of the dividing line you’re on, ask yourself: how would you feel about Glee mixed with Twilight?
Throwing Bram Stoker’s source material almost completely to the wind, the company are happy to adapt Francis Ford Coppola’s screen version instead, casting Mina Harker as the reincarnation of Count Dracula’s long-dead first love. Shirts are tossed to the wings to reveal Taylor Lautner abs; Mina and best pal Lucy get tongue-blasted at every opportunity; and the entire cast vamp around (pun intended) whenever one of the iffily-played jukebox numbers cue up (including Radiohead’s ‘Creep’ as sung by asylum inmate Renfield and a coven of vamp-whores wailing Britney Spears’ ‘Toxic’).
The lone aspect of the production that borders on interesting is the gender-switching of stuffy asylum chief Dr Seward to a feisty female medic, but this is merely enacted to insert a bisexual soap opera love
triangle pentagon with Van Helsing, Lucy and Lucy’s various admirers. Bram Stoker must be rolling in his garlic-lined grave.
Pleasance Courtyard, 556 6550, until 25 Aug (not 11), 9.20pm, £11–£14 (£10–£13).