The Post Show (3 stars)

This article is from 2014

The Post Show

credit: The Post Show (c) The Berserker Residents

A broad slapstick pastiche of high art insecurity at the Edinburgh Festival Fringe 2014

The painful tradition of the post-show discussion is ripe for deconstruction: playing on the vanity of the artists, it invariably becomes a dreary round of predictable questions and self-satisfied responses. Under the guise of the Shallow Scream Ensemble, The Berserker Residents have fun sending up the pretension of the serious artist, without delving deeper into the processes of creation.

The audience are guided into the auditorium with the performance already in progress: the tail end of a Sam Shepherd-style conflict of masculinity which has apparently been running for the previous six hours. Cutting quickly to the post-show discussion, the show proper reveals the emotional traumas, egotism and neuroses that drive the production.

The company display a real skill in improvising to the audience's questions, before segueing into a series of scenes that expose the actors' neediness and vulnerability. Aiming for broad comedy rather than insightful takes on the theatre industry, Post Show is more slapstick than satire, and entertains through the absurdity of the characters and their desperate attempts to wrest meaning from their mundane anxieties.

Assembly George Square, 623 3030, until 25 August (not 11), 9.40pm, £12–15.

The Post Show

  • 3 stars

The Berserker Residents We begin at the end. As the audience takes their seats, the show concludes. A post-show discussion commences and morphs into a hilarious, contorted, face-melting, loop of insanity. Part scripted and part improvisation, The Post Show is front-to-back hilarious, yes, but it's also an honest and…