The greatest passion can soon turn sour
This article is from 2013.
Divided between recitations of the texts and choreographed illustrations of the strange and familiar passions, it interprets the Bard’s words of love in bracing ways, lending new perspectives to the well-worn lyricism.
The cast members are clearly defined as the poet, the mistress and the young man who becomes their mutual fascination, and all three get their own readings of diverse sonnets. But Charnock’s vision is harsh: by the finale, the three are caught in a hostage situation – the certainty of early passion replaced by jealousy and doubt.
There’s a sense of repetition – the mood of the sonnets is filtered through the same dark filter: even the playful lines become ominous, and the lack of variation in tone unfortunately allows the show to drag. But Charnock’s intensity and imagination guides the three talented performers through a tempest of sex and despair
Assembly Roxy, 623 3030, until 26 Aug (not 7, 12, 19), 11.15am, £10–£12 (£8–£10)