Sex emerging as theme running through 2010 Edinburgh Fringe theatre

Steve Cramer's Festival blog

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This article is from 2010.

Sex emerging as theme running through 2010 Fringe theatre

My Romantic History

My first significant encounter this Fringe, a week ago as I write, occurred at the door of the Traverse theatre with Jane Ellis, my esteemed fellow hack and wife of another much beloved colleague, Mark Fisher. As I made to enter the building, she seized my arm, as if to hold herself upright, and with an uncharacteristically jaded, Ancient Mariner look in her eye commented: "There’s been a lot of sex, most of it ugly and distasteful, I’ve had as much as I can take". I was about to suggest that perhaps she and the Fisherator should have gone to the theatre instead, when I realised that’s precisely where they’d been.

And right the admirable Ellis proves to have been. Let me give you a brief summary: Over the last few days I’ve seen ugly revelations about kiddie porn (The Author), a woman inclined to incest, but deciding instead to indulge a bizarre colonialist sexual fantasy with a young black student (The Girl in the Yellow Dress), and an errant husband engaging in alarmingly violent BDSM activities with his secretary (While You Lie) at the Traverse alone. The next time I see Trav artistic director Dominic (I’ve taken to calling him 'dirty Dom') Hill, remind me to slip some bromide into his tea. A healthy trip into the country air for Threshold brought only the tale of an expectant bride finding herself the object of a series of pagan rites, culminating in her being thrown into a river and brutally raped by her stepson.

All this made Wednesday, the story of a disturbed felon who binds a woman to a bed and his former cellmate to a pipe at her feet in order to join them in re-enacting a past sexual assault, pretty tame. After a lot of trysting with fairytale-symbolic wolf masks and schoolgirl uniforms, the final revelation that the villain is only threatening the woman’s rape to revisit his gay relationship with his fellow convict renders this into a tender story of the bipolar bi-curious, compared to the other kinky capers I’ve witnessed.

Still, a lot of this work was of fine quality, with The Author perhaps just pipped at the post by DC Jackson’s more orthodox exploration of (inevitably, it being the Trav) sex amongst single thirtysomethings My Romantic History as my highlight of the Fringe.

But is all this focus on unorthodox sex a way of avoiding more important conversations? I can’t help but think it is, but I’ll expand on that in a later blog.

This article is from 2010.

While You Lie

  • 4 stars

Small lies, little lies, tender lies, well-intentioned untruths.' Ana calls Edward's bluff on their disintegrating relationship and enters a deadly truthful world where honesty is celebrated in all its dangerous glory. They don't make women like Helen anymore: loving mother, home-maker, wife. But beneath her civilised…

The Author

  • 5 stars

'I have the choice to continue. I have the choice to stop.' Settle back into the warmth of your seat. Relax as the story unfolds. It's for you. With you. Of you. A story of hope, violence and exploitation. A new play by Tim Crouch about the abuse carried out in the name of the spectator. 'It's about us, what we see, and…

My Romantic History

  • 5 stars

'If you haven't met someone by the time you graduate, you're going to marry some idiot from your work. It's that simple.' Office romances are tricky. One moment you're colleagues, then a quick grope after Friday night drinks and suddenly you're in a relationship. When Tom and Amy get together after an office social, they…

The Girl in the Yellow Dress

  • 4 stars

Craig Higginson's powerful new play is a dark, witty and sexually-charged psychological drama. Set in Paris, it explores the relationship between Celia, a beautiful young English teacher and Pierre, her French-Congolese pupil. Brimming with humour, rage and longing, this gripping play provides a minute exploration of an…

Wednesday

  • 3 stars

'Ooh, s*%t, time for Corrie. You've got to make time for Corrie haven't you? You get yourself some sleep, Rose. While you've got the chance, like.' Kidnap, cable-ties, curry and Corrie. Rose wakes blindfolded, gagged and tied to a bed - this is not a good thing. Horror-comedy, Manchester style. Contains violence…

Threshold

  • 4 stars

Buy a ticket, start the hunt and take a journey out of the city. Search for the door, escape with the bride and reach for something unreachable. Follow the clues and do what we say if you want to escape. But remember, there are choices, there are always choices. To begin, visit www.1929.org.uk. Price includes a bus…

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