- Gareth K Vile
- 20 August 2019
This article is from 2019
Space explored on-stage and across the universe
Thaddeus Philips takes the theory of the expanding universe literally in this bijoux meditation on space, history and human ambition: a huge inflatable dominates the stage, becoming a symbol of the universe's vastness, the make-shift and simple technology that launched the Voyager probe in 1977 and a handy screen for projections to illustrate Philip's meander through the past forty years.
Using the launch of the Voyager as a starting point, Inflatable Space observes with wry irony how the optimism of the mission was coupled with basic technology and an almost diffident press launch (staged at a motel). Speculations on how Voyager will eventually be intercepted by alien life, on the decline of NASA into a fragmented series of underfunded units, and the great hope that inspired a probe that would carry details of all human life deep into space are framed within Philip's casual, anecdotal structure.
Subtly asking questions about humanity's place in the cosmos, and whether the development of technological prowess necessarily increases ambition, Inflatable Space is a charming and philosophical inquiry that is modest even as it embraces complex questions. The inflatable itself may dominate and lend an edge of spectacle, but this is rich and provocative, without needing to raise its voice in anger or anguish.
Assembly Roxy, until 26 Aug (not 21), 4.15pm, £12–14 (£11–13).