The Ballad of Mulan
- Flora Gosling
- 15 August 2019
This article is from 2019
A faithful but forgettable retelling of the Chinese legend
With the new Disney remake of Mulan just around the corner, was a one-woman show a bold decision or a foolish one? Based on the Chinese poem of the same name, Michelle Yim stars as the young woman who ran away from her family to serve in the army and save her father from conscription.
Mercifully, this adaptation doesn't have any of the gloss of the movie; no talking dragon, no romance, no musical numbers. Instead, this is a grittier side to the story, strewn with graphic descriptions of war. The internal conflict of being unsure where Mulan belongs, behind a loom or in the heart of bloke culture, is well-portrayed by Yim and is more relevant now than ever. Her performance plays nicely between masculine and feminine mannerisms, although it suffers from some nervous and overly-loud line delivery.
The middling and occasionally over-flourished writing by Ross Ericson does not leave any lasting impression. The themes of gender and war aren't taken far enough to give anything new to the story and it comes off as a slightly bland retelling of a familiar story.
Assembly Rooms, until 23 Aug (not 15, 17, 19, 20, 22), 4.05pm, £10–£12 (£9–£11).