Listings: Before 9pm, Theatre

Maddy’s Many Mouths is the hilariously surreal story of a woman with a compulsion to mimic strangers. Gliding through an unbelievable array of characters, Maddy embarks on a riotous quest to find out who she really is.

A spooky, silly radio play live onstage! Hecate return to the Fringe with a feast of fun and fright, featuring six actors, original music and a smorgasbord of silly voices. ‘Very funny, very intriguing’ ★★★★ (RemoteGoat.co.uk).

Beckett on Film: Catastrophe: Directed by David Mamet and starring Harold Pinter, Rebecca Pidgeon and John Gielgud. Rough for Theatre II: Directed by Katie Mitchell and starring Jim Norton, Timothy Spall and Hugh B O’Brien. Breath: Directed by Damien †Hirst.

Winnie McGoogan from Mrs Brown's Boys. Eilish O'Carroll tells her own life story with unflinching honesty and humour in this award-winning play. ‘Heart-warming, funny and thought-provoking … a tour de force.’ (Cork Echo). Book early!

Adaptation of an early Beckett novella about a man, cast out from the family home, who hooks up with a woman, with darkly comic consequences.

Canadian actor Alon Nashman has been acclaimed across Canada, the USA and Europe for his performance as writer Franz Kafka, in this five-star adaptation of Kafka's extraordinary and never-delivered letter to his own father.

Nominated for MTM UK Best Composer 2007, Peter D Robinson's new musical is set in 1565, the final months of Mary Queen of Scots’ reign. Carpe Diem’s reputation for powerful drama and singing make this one to see.

Beckett on Film: Ohio Impromptu: Directed by Charles Sturridge and starring Jeremy Irons. Rough for Theatre I: Directed by Kieron J Walsh and starring David Kelly and Milo O’Shea. Not I: Directed by Neil Jordan and starring Julianne Moore.

Beckett on Film: Rockaby: Directed by Richard Eyre and starring Penelope Wilton. Act Without Words I: Directed by Karel Reisz and starring Sean Foley with music by Michael Nyman. That Time: Directed by Charles Garrad and starring Niall Buggy.

The Mercators celebrate the life of Oscar Wilde and his wife Constance with their dramatised readings.

Multi award-winning EGTG (Edinburgh Evening News Spirit of the Fringe 2012) return with Agnes of God. A miracle or murder? A virgin birth or rape? Innocence or insanity? Even with the strongest faith, nothing guarantees absolution.

‘A life of unending misery in a world devoid of God, now that’s funny.’ Maddy Rooney is in her seventies – unsightly, ungainly and unwell – laboriously to-ing and fro-ing between her home and Boghill Station. This is a landscape whose details are drawn from the suburbs of Foxrock and Leopardstown from Beckett’s youth, but…

Professor of Epistemics Jon Oberlander, Professor of Composition and Electroacoustic Composition Peter Nelson, and Chris Speed of the Edinburgh College of Art discuss historical, conceptual and philosophical relationships between the performing arts and technology. Chaired by theatre specialist Olga Taxidou.

Arkle Theatre Company play out the twists and turns of Shakespeare's pastoral comedy.

Derval Tubridy, Goldsmiths, University of London, explores the vibrant interplay between Samuel Beckett’s work and contemporary art with a particular focus on bodies and technology. Chaired by Octavian Saiu.

Producer of the Beckett on Film project, Michael Colgan discusses the challenges in creating this extraordinary film collection.

For four voices by Peter D Robinson, nominated for MTM UK Best Composer 2007. The Canticles of Zachary, Mary, and Simeon: Benedictus, Magnificat, and Nunc Dimittis, praise God from varying perspectives and have long been integral to Christian worship.

With caller Ken Gourlay and ceilidh bands Flaming Heather, HLI, Scott Leslie, Willie Fraser and piper. All dances walked through and called. Cheap bar. Hall has air-conditioning! Fringe groups welcome. www.edinburghceilidhs.co.uk.

Choreographer and solo performer Gerhart Bonher on the making of Im (Goldenen) Schnitt I.

Seven performers tantalisingly blend of circus, cabaret and vaudeville as Circa come back to the Fringe for the first time in four years.

Exciting contemporary classics from established choreographers each of whom challenged their own genre of dance. Featuring Christopher Bruce’s 'Shift', an energetic study of 1940s factory workers during the war; Jirí Kylián’s 14´20˝ – a sensual duet of feral beauty and human entanglement taken from the choreographer’s…