Reviews & features: Visual art
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Ian Reddie: Dirt, Glue, Gluedust
22 Aug 2010
The Edinburgh-based artist presents mixed media paintings, screen prints and digital art evoking a primordial world of desert and rock. Art’s Complex, 661 1924, until 5 Sep (not Mon/Tue), free.
Amnesty International Urban Art Exhibition
20 Aug 2010
Syrkus, Rekor, Derm, Conzo, Mark Lyken and Elph
Urban art created onsite at a live event at the start of the festival by Syrkus, Rekor, Derm, Conzo, Mark Lyken and Elph as part of Amnesty’s festival-wide campaign to highlight the need for freedom of expression all around the world. C soco Urban…
Barbara Rae and Matthew Draper
20 Aug 2010
Contrasting Landscapes, Painterly Abstractions
Two distinct and individual responses to contemporary landscape painting from the two Scottish artists. Open Eye Gallery, 557 1020, until 31 Aug (not Sun), free.
Plan B
19 Aug 2010Nuanced and arresting marriage of text and image
One of the most immediately arresting images of the Edinburgh Art Festival, photographer Norman McBeath’s black and white of a sculpture of Apollo swathed in smothering polythene, stands to represent a unique collaboration between this artist and…
Philip Braham: Falling Shadows In Arcadia
19 Aug 2010Insensitively curated exhibition pits the fragility of human life against the enduring landscape
This exhibition of photographic prints by the Royal Scottish Academy’s Morton Award winner 2009 comprises two rather different series’. The most prominent pictures are of black and white scenes – forests, bodies of water, vacant bridges – that have been…
EAF host first UK solo show by Iran do Espírito Santo
18 Aug 2010
Brazilian-born artist exhibits at Edinburgh's Ingleby Gallery
The name Iran do Espírito Santo may not be a household word on these shores, but brace yourselves, the Brazilian-born artist is about to take the Edinburgh Art Festival by storm. Next month at the Ingleby Gallery, Scotland will have the opportunity to…
Atsuo Okamoto: Faraway Mountain
18 Aug 2010A strong sense of both exploration and play
Walking among Atsuo Okamoto’s granite sculpture feels rather like exploring a prehistoric puzzle – 12 pillars, erupting from the ground, cracked and split into pieces then carefully put back together. The Japanese sculptor’s first solo show in the…
Victoria Crowe: Reflection
18 Aug 2010Rich but congested series of studies of Venice
With so many shows in the Edinburgh Art Festival rigorously analysing the capital itself, Victoria Crowe’s show ‘Reflection’ offers an incongruous but welcome vacation from this theme. Instead of following the trends of site specificity or channelling…
The Space Between
18 Aug 2010Erratic mixed printmaking show
Taking the theme of ‘space’ as its departure, it is unsurprising that the selection of work in Amber Art’s current show is erratic: by its very nature all artwork deals with space. It appears instead that the term is a comfortable theme within which to…
Chris Close's exhibition at the Edinburgh Book Festival 2010
17 Aug 2010
Chris Close seems to have established himself as the portrait photographer of choice for the Edinburgh International Book Festival. The authors visiting the festival to present their work and thoughts have been captured in a series of pictures by Close…
A Drawback
16 Aug 2010
The phenomenon of drawing has enjoyed a resurgence in recent years, with many artists now returning to producing, exhibiting and selling contemporary drawings. This exhibition by Perennial Art celebrates the diversity and richness of the practice and…
5 Questions - Invisible Structures
13 Aug 2010
Invisible Structures has created a special outdoor environment of hidden treasures, workshops, performances, art and science experiments guided by interactive performers to Edinburgh’s Royal Botanic Gardens. Claudia Mosely from Invisible Works takes…
Edward Weston: Life Work and William Wegman: Family Combinations
12 Aug 2010A pair of fascinating photography exhibitions for the price of one
These two fascinating exhibitions by two very different photographers challenge John Steinbeck’s belief that cameras should be disparaged because ‘they are so much more sure than I am about everything.’ Weston was the natural, a pioneer and a comrade…
Atsuo Okomoto: Faraway Mountain
12 Aug 2010
Japanese stone sculptor presents 12 pieces sculpted from same block
The first UK solo exhibition by Japanese stone sculptor Okomoto showcases the technique of ‘war modoshi’, or splitting and returning, and features 12 pieces sculpted from the same block which can then be pushed together to reform the original piece. The…
Garage
12 Aug 2010
This new site-specific, collaborative exhibition developed during a series of micro-residencies in a New Town garage features work by UK-based international artists including Rebecca Key, Holly Fulton, Thomas MacGregor and Bob Moyler, and hosts various…
Julie Roberts: Child
11 Aug 2010Honest and compelling exploration of childhood
Julie Roberts’ new body of work takes the subject of childhood and explores the displacement of children in the mid 20th century. Her paintings do not make use of universal images; instead they are the result of in-depth research and working through…
Hito Steyerl: In Free Fall
11 Aug 2010Sophisticated film captures the global economic crisis
A theoretician, artist and filmmaker interested in documentary strategies in contemporary art, Hito Steyerl’s work focuses on the intersection between politics and aesthetics, specifically the status of images as they circulate globally. Steyerl is a…
Mairi Gillies: Natura Sensus
11 Aug 2010Hortisculpturist explores the relationship between art and plants
Mairi Gillies explores the interventionist nature of horticulture, which, as opposed to agriculture, isn’t always for harvesting, but rather for aesthetic, ownership and collection purposes. As a sculptor, she works with the notion of cultivating these…
Gemma Holt & Richard Healy: Shapes And Things
11 Aug 2010Making art from the everyday
A partnership instigated by Edinburgh gallery Sierra Metro, ‘Shapes and Things’ is the first collaboration between London-based artists Richard Healy and Gemma Holt. Both work to manipulate and divert the language of design, injecting ‘newness’ into…
Joan Mitchell
11 Aug 2010Arresting display of abstract paintings
Inverleith House really is a special place. An 18th century mansion reserved entirely for the display of art, its beautifully proportioned light-filled rooms enjoy unmatched views of rolling lawns and botanicals. The works that are exhibited within its…
Martin Creed: Ballet Work No 1020
8 Aug 2010Oh, do try harder, disgruntled of Sadler’s Wells
Three stars. That’s what Martin Creed’s getting, although I suspect he was aiming for one, and some outrage. Three stars because there are a couple of interesting dance moments, a few good laughs, and some of the musical numbers are quite good, although…
The Songbird
6 Aug 2010
Giant Productions's sound poetry at the Botanic Gardens
Glasgow’s Giant Productions makes its Fringe debut with this interactive tone poem about an exotic songbird captured by a ruthless logger. Set against the stunning backdrop of the Botanic Gardens, and performed by a pianist, cellist and two actors, the…
Thomas Carlile's Landscapes of Memory
5 Aug 2010
Public art exhibition spread across the city interpretable by touch phones
Keen-eyed observers will spot a number of black and white square barcodes amidst the shop signs and fly posting that decorate Edinburgh’s streets. But what is their purpose? Rachael Cloughton explains: The first one I saw was stuck to the concrete…
The Forest Café celebrates tenth birthday
5 Aug 2010
Volunteer-run café is a true original in Edinburgh
The Forest Café’s tenth birthday, happening mostly on Saturday 14 August, but spreading its shambolic, joyous tentacles throughout the rest of the month, is one of those true causes for celebration. That an entirely volunteer-run, hippy-hearted…
Gilbert and George exhibit at the National Gallery
5 Aug 2010Retrospective of the iconic art duo
There’s something quite unnerving watching the three films that form the oldest contribution to this mini retrospective of Brit Art’s most enduring double act. Here they are, Gilbert and George, in grainy black and white, young men still in their 20s…



