Opera

Admeto, re di Tessaglia

Exit, pursued by a butoh sheep

11 Sep 2009

Opera is a medium well placed to embrace the ridiculous, and sometimes to render it sublime. Strained voices, high drama, grand sets, expensive costumes and expensive tickets: they all have their place, and it can be a fine line between spectacular and…

Actus tragicus

Bach in a dolls house

11 Sep 2009

'I meant to write about death, only life came breaking in as usual.' Virginia Woolf's sentiment is one the characters in Actus tragicus might well understand - though her black humour would probably be lost on them. Filling the stage is an impressive…

Tragic endeavours: Staatsoper Stuttgart’s Actus Tragicus

Lifting the lid on one of the EIF's must-sees

21 Aug 2009

Actus Tragicus. A presentation of tragedy. With that title, Stuttgart Opera’s production is hardly going to be a bundle of laughs. Yet, the sheer beauty of the Bach cantatas, which lie at the heart of this highly unusual synthesis of music and drama…

David Levin talks The Testament of Cresseid

The Israeli director discusses adapting Burns for the stage

20 Aug 2009

Robert Burns might be the subject of many Homecoming events this year, but Jonathan Mills’ decision to focus on the lesser-known Scottish poet Robert Henryson as part of the Edinburgh International Festival’s 2009 programme could prove a rewarding one.

Tonhalle-Orchester Zurich

American soprano is mobbed, but not in the mob

20 Aug 2009

Dawn Upshaw is up to her elbows in batter. She’s in the kitchen of her New York home, making pancakes with her son. It’s a very domestic scene, but then the American soprano couldn’t be further from the diva-ish stereotype. She’s just returned from the…

Music Hitlist

What to go see this week

10 Aug 2009

GRV three-day music festival, The Juan McLean, Young Fathers and Unicorn Kid, Scotland at Night, St Kilda, Broken Records

Doris Dörrie to direct Handel's Admeto, re di Tessaglia

The opera is given a Far Eastern flavour

13 Jul 2009

It might be nearly 300 years since it was first performed in London, but Handel’s opera Admeto, re di Tessaglia isn’t showing its age. Given an innovative reworking by director Doris Dörrie, the action has been transplanted from the classical Greek…

Silviu Purcărete’s 'Faust'

The veteran Romanian director tackles Goethe

13 Jul 2009

Silviu Purcărete doesn’t do things by halves. Last time the veteran Romanian director was in Edinburgh was almost two decades ago with a version of Ubu Rex . The production was a massive take on Alfred Jarry’s absurdist classic. Since then he brought a…

St Kilda - Island of the Birdmen

A multi-media, operatic portrayal of Island life

13 Jul 2009

At 191 metres, there is no building in Scotland anywhere near as tall as Stac an Armin, the highest sea stack in Britain. Along with the slightly shorter Stac Lee, these wildly dramatic sea cliffs were among the hunting grounds for the birdmen of St…

Hitlist - Music

The best gigs this fortnight

21 Aug 2008

N*E*R*D Justin Timberlake guested at their Scottish debut in 2003 after the MTV Music Awards and while this night might not have the trouser-snake in tow, Chad Hugo and Pharrell Williams most certainly have what it takes to throw down a platinum hip hop…

Regal king size

21 Aug 2008

Karol Szymanowski considered himself an outsider which is why he identified with Sicily’s King Roger II and why his opera has become a gay favourite, finds Carol Main The Edinburgh International Festival’s staged opera programme is swinging from one…

The Musical of Musicals, The Musical!

Solidly performed Sondheim send-up a safe bet

18 Aug 2008

Essentially a send-up of musicals by Sondheim and Rodgers & Hammerstein among others, The Musical of Musicals is unlikely to be appreciated (or its references understood) by non-aficionados. This said, it is solidly performed and often amusing, the…

Opera Shorts

Intimate new work in bite-sized chunks

14 Aug 2008

In its inaugural run of performances, this new opera company provides a showcase of some of Edinburgh’s freshest talent with a set of four 15-minute long operas. The intimacy of such a small theatre helps captivate the audience, and the paucity of props…

Scottish Opera: Cinderella

A fairytale debut at the Fringe

31 Jul 2008

It’s probably safe to say that Scottish Opera is the only name which appears in both the music programme of the International Festival as well as the Fringe. As part of their continuing quest to bring high quality opera to a new audience, the company…

Death becomes them - The Two Widows

Edinburgh International Festival

22 Jul 2008

Jane Irwin and Kate Valentine are at very different stages in their operatic careers. But Carol Main finds them both in exuberant mood ahead of Scottish Opera’s take on Smetana’s 19th century comedy.

Best of the rest - Edinburgh International Festival

Edinburgh International Festival

22 Jul 2008

Giselle. Under the artistic direction of Nina Ananiashvili, the State Ballet of Georgia will be performing what many view as the definitive interpretation of this romantic ballet. Gabriela Montero Two performances here from the superb Venezuelan…

Bittersweet symphony - Rise and Fall of the City of Mahagonny

Edinburgh International Festival

22 Jul 2008

Brecht and Weill’s Mahagonny has inspired an artistic generation. Neil Cooper analyses the pair’s enduring appeal.

Regal king size - Król Roger

Edinburgh International Festival

22 Jul 2008

Fitting neatly into the EIF’s theme of Artists Without Borders, the majestic Król Roger opens up audiences to an innovative collaboration. Carol Main chats to Festival director Jonathan Mills about the opera’s arrival in the city. Listening to a…

Capriccio

23 Aug 2007

At the start of the Festival, opera-goers were spirited back to the genre’s origins with a spectacular production of the first great opera, Monteverdi’s L’Orfeo. Now, as things draw to a close, the opera on offer is one which poses questions to itself…

Christine Brewer

23 Aug 2007

As comfortable chatting about American Idol as she is arias, Christine Brewer is swift to dispel any notion of the opera diva. Indeed, from the moment she burst onto the stage as a teenager with the Opera Theatre of Saint Louis, Brewer knew she had…

Opera in concert – Dido and Aeneas and Prima La Musica, Poi Le Parole

23 Aug 2007

Opera at this year’s Festival has taken an interesting journey. The programme started with Bernstein’s Candide, chronologically the last of those heard, with Monteverdi’s glorious 400 year-old L’Orfeo hot on its heels. The latter was fully – and…

Candide

9 Aug 2007

In setting up this year’s Opening Concert of the Edinburgh International Festival, Jonathan Mills has quickly ditched the tradition of a Sunday evening kick-off (although the St Giles’ Festival Service remains in place for the morning) and has brought…

Capriccio

19 Jul 2007

Richard Strauss’ final opera Capriccio, which received its premiere in 1942, is described by the composer as ‘a conversation piece for music’. A young countess cannot choose between two lovers, one a musician, the other a poet.

The Turing Test

19 Jul 2007

Quite what Monteverdi would have thought about a singing computer featuring in an opera is anyone’s guess. Inspired by the famous test set by Alan Turing, founder of modern computer science, composer Julian Wagstaff has written a chamber opera to be…