Reviews & features: Dance, Issue 583

Ballerina Who Loves a B-Boy

Although it’s been crammed into a hotel function room better suited to the cringey frugging of a wedding disco, this gleeful little production is the most assured and exuberant of the cluster of Korean breakdance shows infesting the Fringe this…

John Moran and his Neighbour, Saori

First off, this is not the show we’re supposed to see. At time of reviewing, the eponymous Saori was still in New York, nursing a burnt foot. By the end of Moran’s Edinburgh run, the Japanese dancer should be on stage with him – albeit slightly less…

Impressing the Czar

‘You’re going to get really lost,’ predicts Aki Saito, principal dancer with the Royal Ballet of Flanders. She’s talking about the average person’s reaction to William Forsythe’s three-act extravaganza, Impressing the Czar. ‘You won’t know what to…

Hitlist - the best Festival dance

Into the Hoods London’s Zoo Nation are back at the Fringe for another helping of hilarious five star hip hop dance theatre. Truly unmissable. Pleasance Courtyard, 556 6550, until 27 Aug, 7.30pm, £15.50–£19.50 (£13.50–£15.50). Impressing The Czar…

Méli Mélo II

Parody is a tricky thing to pull off. There’s a risk that, while attempting to point out the absurdity of the medium you’re lampooning, you destroy what made it worth imitating in the first place. Happily, Chicos Mambos succeed in negotiating that…

Desert Island Dances

This year, a proportion of the Fringe dance programme seems to be backing away from huge, political themes, focusing instead on small, personal moments of introversion. Desert Island Dances by Wendy Houston, whose Haunted, Daunted and Flaunted triptych…

Six Women Standing in Front of a White Wall

Tom Tàbori

Six Women Standing In Front of A White Wall bursts beautifully from the venue’s seams, with a wonderful idea powering the performance. Separating the six women’s pitiable writhing and the audience is a rope cordon – much like the boundary between the…

Leitmotif

Andrew Dawson is excitedly telling us about a company who film train journeys; no commentary, just a camera stuck to the front of the engine. He plays us the video – Bognor Regis to Victoria – and hops excitedly into the frame to point out the corner he…

Siamsoir: The Battle for Eire

Their name comes from the Gaelic word for ‘entertainer’, and that’s precisely what young company Siamsoir’s fusion of traditional Irish and contemporary dance sets out to do. Trawling the misty myths of ancient Eire for subject matter…

Traces

The early pitches for poignancy are a put off, but when 7 Fingers keep to their incredible gymnastics, they are truly impressive. Like an old-fashioned circus, the audience ‘oohs’ and ‘aahs’ at the spectacular stunts and clap the death-defying feats. It…

The Voice of Things - Toilet Paper

The solo performer waters her toilet rolls, wears a toilet paper skirt and crown, drapes toilet paper across the stage and generally loses herself, and the audience, in the slow and painful process. Are Underbelly trying to fill their rooms or just…

Fuerzabruta

A man runs frantically on a conveyor belt headlong into unavoidable obstacles; nymph-like beauties writhe, close enough to touch, on water-covered perspex; women somersault across floating tinfoil walls bathed in an aura of multicoloured light as wind…