Life is Too Good to Be True (3 stars)

Not quite the whole truth from show examining Stephen Glass, Barbara Ehrenreich and Lady Gaga

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This article is from 2012.

Life is Too Good to Be True - STAR-RATING

The place of truth, lies, delusion and self-realisation in our individual lives and within society as a whole is the big theme tackled in this one-man show that begins modestly and ends with a high-camp finale. Written and performed by Gable Roelofsen and directed by Romy Roelofsen, the show utilises the experiences of three disparate Americans – Stephen Glass, the journalist who was outed for making up stories for respected magazine The New Republic, Barbara Ehrenreich, breast cancer survivor and author of the anti-positive thinking treatise Bright-Sided, and Lady Gaga, the unhappy high-school kid who reinvented herself as a pop diva – to illustrate how honesty and dishonesty can both be used to good and bad ends, depending on the context.

Unfortunately, as the show builds to its musical finale, this complex issue is reduced to the somewhat clichéd, if not necessarily untrue, conclusion that being true to oneself is what counts most in our lives. This is a show that doesn’t quite live up to its initial promise.

Underbelly Cowgate, 0844 545 8252, until 13 Aug, 11.35am, £8.50–£9.50 (£7.50–£8.50).

This article is from 2012.

Life Is Too Good To Be True

  • 3 stars

Life Is Too Good To Be True investigates the role of truth in contemporary (pop) culture. Starting out as a portrait of a notorious liar Stephen Glass, a young American journalist who fabricated rather than reported the news, this energetic solo performance develops into a journey through group therapy, pink ribbons, Lady…

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Life Is Too Good to be True trailer

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